Magnus Tessing Schneider’s research papers

“The Mirror and the Mousetrap: On Art and Citizenship in Hamlet”. Contemporary Rhetorical Citizenship: Purposes, Practices, and Perspectives, Copenhagen, January 2013: website.

“From Metastasio to Mazzolà: Clemency and Pity in La Clemenza di Tito”. La Clemenza di Tito and Mozartian Aesthetics, Stockholm, August 2013: website.

“Don Juan i København og Europa i første halvdel av 1800-tallet: Dramatisk interpretation, sceniske idealer og historisk opførelsespraksis”. Musikkarvkonferansen, Trondheim, November 2013: website.

“Ariostan Intertexts in Busenello’s Statira”. A Metà Secolo: L’Apice di Francesco Cavalli fra Drammaturgia e Musica Sacra (1650-1656), Venice, July 2014.

“The Serpent, the Mirror and the Woman with Two Faces: An Allegorical Reading of L’incoronazione di Poppea”. The Power of Affections: Poetry, Music, and Spectacle in 17th-Century Italian Opera Librettos, Philadelphia, November 2014: website.

“The Natural and the Civilized Actor: Reflections on the Theatre of Ranieri de’ Calzabigi”. Acting in the Late Enlightenment (1740-1800), Stockholm, December 2014.

“Kierkegaard’s struggle with Don Giovanni: A study in the tortuous interaction of performance and reception history”. Tosc@Bologna: 1st Transnational Opera Studies Conference, Bologna, June-July 2015: website.

”Kierkegaard og Mozarts Don Giovanni i København”. The Romantic Stage, Stockholm, September 2015.